![]() In your application please submit a short letter explaining why you are interested in this class. Supplemental Application Information: This course is by application only but there are no prerequisites for this course and previous experience in a writing workshop is not required. As a member of a writing community, you should be prepared to respectfully read and respond to the work of others-both the work of your peers and that of the published writers that we will explore together. Together, we will explore our responses to examples of literature from around the world and from all periods, as well as to the writing you will produce and share with the class. We will be concerned foremost with how literary language works, with describing the effects of different kinds of sentences, different uses of genre, tone, and other rhetorical strategies. We will read these works from the perspective of the writer as craftsperson and of the critic seeking in good faith to understand and describe a new aesthetic experience. ![]() The emphasis of the course will be learning how to read literature as a writer, with special attention given to the short story, novella, or short novel. Previous experience with workshopping writing is encouraged but not required. This is an intermediate course in the art of writing literary fiction. Supplemental Application Information: * Please note: previous creative writing workshop experience required.* Please submit ONLY a cover letter telling me your previous creative writing workshop experience, either at Harvard or elsewhere then tell me something you are passionate about and something you want to be better at and, lastly, tell me why of all classes you want to take this one this semester. The end goal will be to produce 2 short stories, or 2 chapters of a novel, to be submitted as your final portfolio. ![]() You will be responsible for participating in discussions on the assigned texts, the workshop, engaging with the work of your colleagues, and revise your work. Monday, 12:00-2:45 pm | Location: Barker 222Īdvanced fiction workshop for students who have already taken a workshop at Harvard. This sample may be creative (a personal essay, an excerpt from a piece of fiction) or it may be academic. Please also include a 3-5 writing sample in which you write about art. ![]() You may also list any writers or publications whose criticism you enjoy reading. Please also describe your relationship to the art forms and/or genres you're interested in engaging in the course. Supplemental Application Information: Please write a letter of introduction (1-2 pages) giving a sense of who you are, your writing experience, and your current goals for your writing. If you are unsure whether you have the necessary background for this class, please email me.Īpply via Submittable (deadline: 11:59pm EDT on Saturday, August 26) Similarly, if you’d like to write film criticism, you should have taken some film studies classes, or you should have a filmmaking background. In other words, if you plan to write art criticism, you should have taken some classes in art history, or you should have a creative practice in the visual arts. This course is open to writers of all levels, but writers should have studied or worked creatively in the field of art they plan to engage critically. Students will revise their longer pieces based on workshop feedback and submit them for the final assignment of the class. Students will be expected to read and provide detailed feedback on the work of their peers. During the second half of the semester, each student will write and workshop a longer piece of criticism about a work of art or an artist of their choosing. Students will write several short writing assignments (500-1000 words) during the first half of the semester and share them with peers. The majority of our readings will be from the last several years and will include pieces by Andrea Long Chu, Tausif Noor, Namwali Serpell, and Justin Taylor. Our focus will be on longform criticism (narrative and/or argumentative) as opposed to short-form, primarily evaluative reviews. We will read and discuss criticism from a wide variety of publications, paying attention to the ways outlet and audience shape critical work. This course will consider critical writing about art-literary, visual, or cinematic-as an art in its own right.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |